Winifred Sandys, "White Mayde of Avenel" (after 1902), watercolor on vellum, 8 × 6 inches. Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935 (all images courtesy Delaware Art Museum) ...

Henry Wallis, “Chatterton” (c. 1855–56), oil on canvas, 62.2 x 93.3 cm (24 1/2 x 36 3/4 in), Tate Gallery, London (all images courtesy the National Gallery of Art) In its first iteration in London, ...

Publication date from publisher's Web site. "Checklist of works exhibited in Washington": pages 246-249. "The Pre-Raphaelite Brotherhood shook the mid-19th-century art world. Effectively Britain's ...

The meaning of art is in the eye of the beholder. To straitlaced Victorians, John Everett Millais’s painting Ophelia epitomized the shocking new ideals of the Pre-Raphaelite Brotherhood, a group of ...

The pre-Raphaelite movement in America: an introduction -- The British brotherhood -- Buchanan Read and the Rossettis -- William J. Stillman: "The American pre-Raphaelite" -- The Crayon: the first ...

In 1848, there was only one clique to be in. And any artist worth their salt stuck outside the sacred circle would look on in ...

The Google Doodle for November 18 honors Fanny Eaton, a muse to the Pre-Raphaelites who helped redefine Victorian standards of beauty. Born in Jamaica on June 23, 1835, Eaton moved to London in the ...

Each yearned to reform the conservative British art establishment, which they felt inhibited progressive contemporary artists. The artists had attended classes at the prestigious Royal Academy Schools ...

Written for THE NEW YORK TIMES SATURDAY REVIEW OF BOOKS by Joseph Jacobs. Author of (SOME RECOLLECTIONS OF SIR EDWARD BURNE-JONES.) This is a digitized version of an article from The Times’s print ...

Whoops! There was an error and we couldn't process your subscription. Please reload the page and try again. It is difficult to think of the Pre-Raphaelites’ work as ...