Factory dreams: the artist-run collective L’Abominable imagines a future for the film laboratory in the ruins of the ...

Angelo Madsen’s feature documentary A Body to Live In and Tiona Nekkia McClodden’s video installations explore sadomasochism ...

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By Grady Hendrix in the March-April 2020 Issue P erpetually out of step, Shinya Tsukamoto goes where his gut leads him, handcrafting freaked-out sci-fi nightmares from 8mm, 16mm, 35mm, digital video, ...

(Yojiro Takita, Japan, 2008)The members of the Academy who gave Departures its Oscar must be feeling their mortality. The movie tells the story of a second-rate cellist who loses his job when an ...

Back in the day, Tucson photographer Bob Broder used to string for The Arizona Republic. Eric Kroll, another local—and former Taschen book editor—recently unearthed a stash of negatives Broder shot on ...

First glimpsed pitching a Midwestern drive-in owner on a multi-mixer (arguing that his demand for shakes would be higher if he could supply more), Kroc (Michael Keaton) drives cross-country to San ...

(Nikita Mikhalkov, Russia, 2007)For numerically titled Russian movies of the moment, stick with 4 instead of 12. Old soul Nikita Mikhalkov’s appropriation of the 12 Angry Men template is a bloated ...

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The Japanese eco-fantasist Hayao Miyazaki is an animation magician, a crowd-pleasing storyteller who is also a builder of worlds. He designs meticulously engineered imaginary aircraft, sets their ...

The greatest love of all: the top 20 films of 2016, as selected by our esteemed contributors ...

Premised on illusion and promising endless reanimation, cinema is often called the ghostliest of mediums. Ghosts are themselves cinematic in essence, automatic disruptions in space and time. Movies ...