In a wry Profile of the British-born art dealer Joseph Duveen, Behrman captures the workings of a canny commercial ...
Edward Saatchi first saw “The Magnificent Ambersons,” Orson Welles’s mangled masterpiece from 1942, when he was twelve years ...
They were a church cult – whatever they called themselves. They kept me locked away because I knew what they were doing was ...
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