Performances in N.Y.C. Advertisement Supported by In Akram Khan’s new full-length work for Royal Danish Ballet, Lady Macbeth is a pure-intentioned heroine. By Roslyn Sulcas Reporting from Copenhagen.

CLEVELAND, Ohio -- Great Lakes Theater is synonymous with Shakespeare, yet it hadn’t staged “Macbeth” since 2018. GLT’s new production, at the Hanna Theatre through April 4, is worth the wait, a ...

“We like to think of it as couples therapy,” actor Ron Menzel said with a laugh. Menzel was referencing his upcoming lead role in Macbeth alongside his partner, Vivienne Benesch, who will take the ...

What does it mean to be haunted by ambition? Can we escape our destiny? How do we cope with our worst actions? Guthrie Theater’s “Macbeth” answers these questions in its gripping exploration of murder ...

Ever since its founder, Tyrone Guthrie, hung out his shingle in Minneapolis and launched the regional theater movement in the early 1960s, the works of William Shakespeare have been core repertoire ...

Theater is good for examining our moral quandaries or offering a diversion from those troubles, said Guthrie Theater artistic director Joseph Haj. “Macbeth,” which opened Feb. 5, offers a little of ...

The 'Outlander' star made his Royal Shakespeare Company debut on Oct. 6 Sabienna Bowman is a Staff Editor at PEOPLE, working on the News Team. She joined the brand in 2023. She previously worked at ...

Sam Heughan and Lia Williams in Macbeth - '£7.50 a pint in that London Makkers' In high concept stuff like this, detail is crucial and Anna Reid’s set is perfect, the smallest of the RSC’s three ...

The atmosphere is immediately spotless, with details of exquisite immersive nuance. The carpet of the auditorium flows onto the central stage, adding a voyeuristic element to the staging. The intimacy ...

Daniel Raggett’s audacious RSC production sets the play in a Glaswegian pub full of thugs and has a Landlady Macbeth running the show Audiences arriving to find the RSC’s studio stage fitted out with ...

Anyone who saw director Daniel Raggett’s production of Edward II in the Swan Theatre earlier this year will not be surprised to learn that his version of Macbeth is, in a word, horrible. But not ...

Choosing the right opener for a theatrical season is always a fraught gamble. An opening demands ambition and momentum, all while securing trust in the audience that what follows will reward them.